Mike Hodges explained that Howard was an extra in his TV film Rumour, and the director gave him a line to say, but another extra was wrongly credited. Chibnall writes that "Interestingly, although [the film's] downbeat and unsentimental tone is now thought to express the mood of its times, the mass cinema audience preferred Love Story (Arthur Hiller 1970), which remained the most popular film in Britain throughout Get Carter's run". Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. [38] Steve Chibnall writes: "his treatment retained the essential structure of Lewis' novel with its strong narrative drive, but introduced some minor changes to characterisation and more fundamental alterations to narratology". [110] In October 2010 the critics from The Guardian newspaper placed the film on their list of "Greatest Films of All Time", placing it at number 7 in the 25 greatest crime films. Description. There was pressure from MGM to have more big-name American stars in the film, which was successfully resisted by Hodges. Jack meets Margaret to talk about Frank, but the Fletchers' men are waiting and pursue him. This FAQ is empty. Carter is depicted wearing a gaudy floral jacket, as opposed to the dark raincoat and mohair suit he wears in the film. The significance of the double-barrelled shotgun as Carter's choice of weapon (which in the novel symbolises family ties and Carter's memories of more innocent times hunting with his brother) was lost in the film adaptation. [57] Hodges described Caine as "a complete dream to work with". Get Carter is a 1971 British crime film written and directed by Mike Hodges and starring Michael Caine, Ian Hendry, Britt Ekland, John Osborne and Bryan Mosley. He waited hours until the sun began setting to capture the overcast shadowy lighting seen in the film. As with Hit Man, the film credited Ted Lewis' Jack's Return Home as its source, not Hodges' film, and again it contains scenes which are directly borrowed from the original, such as the opening train ride. Soderbergh said he envisioned The Limey as "Get Carter made by Alain Resnais". [12] A censored edited version was released in West Germany on 6 August 1971, with a running time nine minutes shorter than the original. Miranda Richardson, Rachel Leigh Cook, Mickey Rourke and Michael Caine (who starred in the original … 479 likes. [75] Chibnall describes the flower power imagery as "what seems like a desperate and misguided attempt to suggest the hipness of a genre which had largely fallen out of favour". The cleaning programme was known as 'Turning the Tide'. [86], Warner Bros. reissued the film in a special edition on DVD in October 2000 in its original 1.85:1 aspect ratio. ", "Movie Review Get Carter (2000) FILM REVIEW; Slimline Stallone, With a Bruising Touch and a Gentle Mutter", "Dead Man's Shoes at the Venice International Film Festival", https://en.wikipedia.org/w/index.php?title=Get_Carter&oldid=1000898949, Short description is different from Wikidata, Articles with unsourced statements from May 2012, Wikipedia articles with WorldCat-LCCN identifiers, Creative Commons Attribution-ShareAlike License, Dorothy White as Margaret. Ben Aris, who plays one of the architects, is better known for British situation comedies. The musicians recorded the soundtrack live, direct to picture, playing along with the film. At the funeral Jack meets his teenage niece Doreen (Petra Markham) and Frank's evasive mistress Margaret (Dorothy White); it is later implied that Doreen is Jack's daughter. [6] Get Carter was remade in 2000 by Warner Bros. under the same title, with Sylvester Stallone portraying Jack Carter and Caine in a supporting role. [90] He thought the general stance of British critics "was to admire the film's power and professionalism while condemning its amorality and excessive violence". Eric and two of his men arranged Frank's death. Principal photography took place in and around Newcastle upon Tyne, Gateshead and County Durham. With Sylvester Stallone, Rachael Leigh Cook, Miranda Richardson, Rhona Mitra. Wild Hammond and Drum Duo with James Mackie (ex 'Selecter' and 'Madness') on organ and John Elles on drums. Get Carter! Add to Wishlist. [62], Klinger was a very hands-on producer and was present during shooting and in post-production. [65][66] Budd described the experience as "uncomfortable, but it sounded pleasant". [5] In 1999, Get Carter was ranked 16th on the BFI Top 100 British films of the 20th century; five years later, a survey of British film critics in Total Film magazine chose it as the greatest British film. [8], The most complicated scene to shoot was Kinnear's game of cards. He then posts the pornographic film to the vice squad at Scotland Yard in London. The remake was poorly-received by critics in the US, and was not given a UK theatrical release. [93][94] Kinnear agrees, sending Eric to an agreed location; however, he subsequently phones a hitman to dispose of Jack. Extras included three trailers; the international trailer, an introduction by Michael Caine to the people of Newcastle, and a third featuring Roy Budd playing the opening theme.This format was also used in a VHS set released by Warner Brothers, copyrighted 2001, which included Bullit and Shaft. 7 of 10! As Eric and Con escape, they push the sports car into the river unaware that Glenda is in the boot. View production, box office, & company info. Talking to the widow, daughter Doreen, and enigmatic Geraldine, Jack suspects it was murder. He found Carter's motivations were inconsistent, either being an avenging angel or an "authentic post-permissive anti-hero, revelling in the casual sadism". In contrast, Nigel Andrews found the characters to be clichéd archetypes of the criminal underworld, such as the "homosexual chauffeur, bloated tycoon, glamorous mistress", describing the film as "perfunctory". Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element.[4]. The technical complexity was compounded by the variation in light coming through the windows, and Osborne's whispered delivery[48] which made microphone placement difficult. Title: [103] Variety also praised the film, saying it "not only maintains interest but conveys with rare artistry, restraint and clarity the many brutal, sordid and gamy plot turns". My main task was lighting on location, very moderately, and waiting for the right daylight and setting the exposure on the lens". This remake was not well received by critics in the USA and was not given a UK theatrical release. Was this review helpful to you? [115] Mike Hodges said in 2003 he had still not seen the remake, but was informed by a friend that it was "unspeakable". Get Carter was an iconic 1970s film with Michael Caine that was known for bringing realism to the crime genre. [52][53] Asked to comment on what he was aiming for in the look of the film, cinematographer Wolfgang Suschitzky said "The camera work on it... it was very influenced by Mike Hodges who has a very good eye for setups and he of course conferred with his operator and myself, but he influenced all of us, and much of the good look is due to him, I confess. Having avenged his dead brother and the sexually abused Doreen, Jack walks along the shoreline. He then calls the police to raid Kinnear's party. He returns for the funeral of his brother Richard "Richie" after a car crash during a storm, atypical of the careful house-father. The first remake was George Armitage's 1972 film HIT MAN. BB Davis & the Red Orchidstra released a version of the film's title theme in 1999. If you want to continue to explore the fascinating world of "WandaVision," we have you covered with some inspired recommendations. In 2000 it was remade with Sylvester Stallone and included Caine. Despite this, the release was given a five-star review in Empire, where it was described as "one of the best British films of the 70s". Others were sourced from local casting company Beverley Artistes, which sent everyone registered with it for audition, one of these being Deana Wilde, who was cast as the pub singer. [71] A version of the band's rendition was available on a live LP by Jack Hawkins, which was released under two titles, Psychedelic '70s and later as Everything Is Beautiful,[72] The pub singer, played by Denea Wilde, performs a cover of How About You? In the early 2000s, £10 million was spent removing these conveyors and the concrete towers, and cleaning tons of coal waste from the beaches of East Durham. Overview. In 2000 it was remade with Sylvester Stallone and included Caine. [95] [42] Hodges described how wandering alone through the upper structure, he realised how the different levels could be used to reveal the hunter, Carter, and the hunted, Brumby, simultaneously but without either being aware of the other – adding to the suspense. "Richard Burton top draw in British cinemas". [88] It is available from the Warner Archive Collection as a Made on Demand (MOD) DVD-R or a download, with the same extras as the 2000 release, although with only two trailers and this time in 16:9 ratio. Oscar and Golden Globe-nominated superstar Sylvester Stallone ("Cliffhanger," the "Rocky" franchise) stars as a vengeful mobster who scours the underworld to avenge the murder of his brother. Directed by Mike Hodges. Jack knows Cliff Brumby (Bryan Mosley) as a businessman with controlling interests in local seaside amusement arcades. Original copies of the record are much sought after by collectors and sell for around £100. Listed as 'Karl Howard' on IMDB. Get Carter had to make do with ambivalence". Hodges said that he and Trumper argued and disagreed constantly, but he still thought he was a "brilliant, brilliant editor" and was "very grateful to him for ...how much he contributed". Talking to the widow, daughter Doreen, and enigmatic Geraldine, Jack suspects it was murder. [104] However, Jay Cocks writing in Time was disparaging, calling the film "a doggedly nasty piece of business" and comparing it unfavourably to Point Blank. [1] Despite this, the film turned a respectable profit in the UK. The movie has an extraordinary visual quality, the titles and the music are worth seeing and hearing this movie. The story is based upon the original where Carter (Stallone) who is an enforcer for a gangster returns home to his brother’s funeral. A Las Vegas mob enforcer travels back to his hometown to investigate his brother's mysterious death. [83], A resurgence of critical and public interest in the film in the 1990s led to the British Film Institute releasing a new print of the film in 1999. A young hot shot driver is in the middle of a championship season and is coming apart at the seams. The team then spliced the beginning segment onto a high-quality print of the film. [39], Carter's climactic pursuit of Eric used an amalgamation of two locations spaced 35 miles (56 km) apart: Blyth staithes and Blackhall Beach near Blackhall Colliery. Get Carter director Mike Hodges on meeting Caine, Ali and Kubrick", "Get Carter: 40th Anniversary 112 minutes that revolutionised the gangster film", "The crime-genre game-changer Get Carter turns 40. [49] Other locations in Newcastle and Gateshead, Northumberland and County Durham were also used. Get Carter is one of them. [67] The soundtrack—including pieces not used in the film—was originally only available in its entirety in Japan, where it was released on Odeon Records. [30] MGM agreed a reasonable but below-average budget of 750,000 (there is some dispute as to whether this figure refers to dollars or pounds)[2] for the production. Now that's a sort of Christian ethic in a way [...] That was a prerequisite of the film for me, that the hitman should go [click] and that's it". [34] However, in his DVD commentary Hodges implies that he did not see Carter as morally any more justified than those he kills, and his death is intended to present his actions to the audience as morally bankrupt and futile: "I wanted him to be dealt with in exactly the same way he dealt with other people. Godfrey Quigley was cast as Eddie, a colleague of Frank Carter's. As well as Telly Savalas, names posited by Klinger and studio executives were Joan Collins, and someone Hodges described as "the Canadian lead actress in TV's Peyton Place", which most probably means Barbara Parkins. The remake of Get Carter is really a mixed bag. ‎Mira tráileres, lee reseñas de críticos y otros usuarios y compra Get Carter (2000), dirigida por Stephen T. Kay, por $5.99. [113], Another film based on Lewis' book, Hit Man, directed by George Armitage and starring Bernie Casey and Pam Grier,[1] was released in 1972, taking some plot details and treatments, such as a sniper shooting Carter on a rocky beach, from Hodges' film. [74] It was later reclassified as 'R', meaning children under the age of 17 had to be accompanied by an adult. Producer Michael Klinger optioned the novel and made a deal with the ailing Metro-Goldwyn-Mayer (MGM) to finance and release the film, making it the last project to be approved by the studio's Borehamwood division before its closure. 80. [58] Caine only lost his temper once on set, during the very tense and emotional day filming in Glenda's flat, when the focus puller ruined his first take. [118] It was so badly received on its US release that Warner Bros. decided not to give it a UK theatrical release, anticipating the film would be savaged by British critics and fans. [111] In the accompanying poll conducted amongst Guardian readers, it was voted fifth. Also, reviews are mixed concerning Stallone's acting". Someone breaks into Richie's home, looking for a crucial CD. Albert confesses he told Brumby that Doreen was, indeed, Frank's daughter. A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far-reaching plans. Someone hired goon Thorpey to make Jack return to Las Vegas. [39] The car park symbolises one of the film's more subtle themes, which is the destruction of an old cityscape and its rebuilding in line with modern Brutalism. Asked in 2006, Putzu could not remember his artistic rationale for painting the floral jacket, but said he was painting a lot of flowers in designs at that time. [122][123] The behind-the-scenes featurettes accompanying the DVDs of Life on Mars repeatedly cite Get Carter. Jack chases Eric along a beach. Jack's partner Con McCarty is restless, apparently about their boss Les Fletcher, whose wife had an affair with Jack. Available on. Steven Soderbergh's 1999 film The Limey is a homage to Carter and other British gangster films, and contains similar plot elements and themes of revenge, family and corruption. Use the HTML below. [37] The film was voted the worst remake of all time in 2004 by users of British DVD rental website ScreenSelect (precursor of Lovefilm).[120]. It out-performed Up Pompeii, which was showing in the larger ABC1. Bundles containing this item. And even if you have seen the 1971 original, not everyone can remember all the details - at least I couldn't. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city … [7][38] Hodges thoroughly researched the local Newcastle crime scene, adapting the script to make use of settings and incorporating elements of his research into the story. Keep track of everything you watch; tell your friends. (I think there is just about two or three movies about Jesus, and nobody cares about the remakes). Get Carter suffered in its promotion due to MGM's financial problems and the declining British film industry of the period, which relied increasingly on US investment. [56] Hodges tried to rehearse the racecourse scene between Caine and Hendry in their hotel the night before shooting, but "Hendry's drunken and resentful state forced Hodges to abandon [the] attempt". White had a successful career as a television actress and was particularly well known for, This page was last edited on 17 January 2021, at 07:48. Portishead's Adrian Utley explained that they found the music to Get Carter inspiring as "it was done quickly and cheaply with only a few instruments, and it had to be intensely creative to disguise its limitations". The film's music also enjoyed its own resurgence in popularity, as it tapped into a 1990s interest in vintage film soundtracks. The soundtrack was presented in 1.0 mono Dolby Digital[87], The film was bundled in the 2008 "Movies That Matter – 70's Classics" DVD set with Deliverance and Dog Day Afternoon. Join Facebook to connect with Get Carter and others you may know. The conveyor, a common sight on the East Durham coast, was known locally as 'The Flight'. Visiting Brumby's house Jack discovers the man knows nothing about him and, believing he has been set up, he leaves. The theme tune features the sounds of the character's train journey from London to Newcastle. A former CART champion is called in to give him guidance. On IMDb Get Carter's average rating is 7.6 based on 12,329 user votes. Sound editing and dubbing was done by Jim Atkinson, whom Hodges described as "so obsessive about the job". [2] The production also utilised a large number of extras, most of whom were locals who just happened to be on scene when filming was happening. [109], At the time of its release, the only recognition the film received was a 1972 BAFTA Awards nomination for Ian Hendry as Best Supporting Actor. 11 July 2012. Budd composed 13 distinct pieces for the film,[63] including three songs: "Looking For Someone", "Love Is A Four Letter Word" (with lyrics by Jack Fishman)[12] and "Hallucinations". [37] Hodges' original working title for the film was Carter's The Name. [115] Michael Caine appears as Cliff Brumby in what Elvis Mitchell described as "a role that will increase regard for the original", speculating that "maybe that was his intention". The series' set designers and property masters state that, while the audience and critics may liken the series to The Sweeney, Get Carter was their visual guide and the source of series' look. Carter's killing of Brumby[40] and his own assassination were further alterations from the novel, emphasising the film's parallels with revenge tragedy[38] and Carter's role as what Geoff Mayer calls "the moral agent... a "knight" forced to dispense his own sense of justice in a corrupt world". Get Carter (2000) Rent $2.99. The original British quad poster with artwork by Arnaldo Putzu, in common with many film posters, has aspects or images that differ from the finished screen version. [35], Klinger contacted Hodges on 27 January 1970 with a copy of Jack's Return Home and contracted him[36] to direct and adapt the screenplay, paying him a flat fee of £7,000 for his services. ‎Watch trailers, read customer and critic reviews, and buy Get Carter (1971) directed by Mike Hodges for $9.99. Hodges and Caine, the latter of whom served as a co-producer, had ambitions to produce a more gritty and realistic portrayal of violence and criminal behaviour than had previously been seen in British films, with Caine incorporating his knowledge of real criminal acquaintances into his characterisation of Carter. There are four simultaneous conversations, with a lot of plot exposition and the introduction of two important characters, Kinnear and Glenda. The first remake was George Armitage's 1972 film HIT MAN. The poster also places Carter's shotgun in Eric's hands, and features a grappling man and woman who seem to belong to a different film. Get Carter was an iconic 1970s film with Michael Caine that was known for bringing realism to the crime genre. Kevin Brennan appears as Harry the card-player. [114], Warner Bros., which holds the rights to the pre-1986 MGM library, produced a remake of Get Carter in 2000 under the same title, with Sylvester Stallone as Jack Carter. One hero tries to help the people inside find their way to safety. [31], Klinger had been approached in 1969 by another producer, Nat Cohen, to make films for Metro-Goldwyn-Mayer (MGM). KGF Vissers. Information extracted, Jack fatally stabs Albert. Several of the company's actors were also in background shots in the film including the casino, streets, bars and the police raid scene. It also performed strongly when moved to the ABCs in Edgware and Fulham Road. I can't believe the critics this movie gets here. Apparently there was a Get Carter appreciation club that was trying to get a preservation order put on the car park in Gateshead and Quentin Tarantino was in it. Jack is sleeping with Gerald's girlfriend Anna (Britt Ekland) and plans to escape with her to South America, but he must first return to Newcastle and Gateshead to attend the funeral of his brother, Frank, who died in a purported drunk-driving accident. Roger Ebert was less reserved in his praise, writing that "the movie has a sure touch". When his brother is killed in an accident, cold-blooded gun for hire Jack Carter (Sylvester Stallone) returns home to make peace with his past. Jack lies dead on the shore with the waves beginning to lap up against him. In the original, directed by Mike Hodges (CROUPIER), Michael Caine was Carter. However, Hodges said he encountered very little interference by the producer. It worked with Hodges to restore the film, with Hodges sourcing another set of negatives of the original opening, which were found in the archives of the BBC. HoloLens PC Mobile device Xbox 360 Trailer. [61] The film shows the beach black with coal spoilings, dumped there by the mine's conveyor system. The Pelaw Hussars, a local juvenile jazz band and majorette troupe, also appear and perform two numbers, When The Saints Go Marching In and Auld Lang Syne. Get Carter Year 2000 Genre Crime Action Drama Thriller Type Movies IDMB rating 5.2 (32207 votes) Netflix rating 5.2 Metacritics rating 24.0 Rotten Tomatoes rating 11.0% Directors Stephen Kay Actors Sylvester Stallone, Rachael Leigh Cook, Alan Cumming, Miranda Richardson, Michael Caine, John C. McGinley, Mickey Rourke, Rhona Mitra [92] In Sight and Sound, Tom Milne said the film was well-constructed and had good characterisation, but lacked the mystery and charisma of the earlier American crime films it attempted to emulate. Jack tracks Albert down at a betting shop. Mike Hodges' 1971 British gangster thriller is, even today, a triumph of hard boiled crime cinema and perhaps one of the greatest British films of all time. [73] The film finally opened for general release across the UK on 10 March 1971 and in the US on 18 March, where it was rated 'X' for violence and female nudity, meaning it was for adults only. [32] In financial trouble and shutting down its British operations, MGM was in the process of closing its British studios at Borehamwood[33] and was looking to make smaller-budget films to turn a profit. [102] Of Caine's performance he wrote, "The character created by Caine is particularly interesting. Among those trying to "get Carter" is Con (John C. McGinley), another enforcer from Las Vegas.GET CARTER is the second remake of the bleak and gritty 1971 British thriller of the same title. [100] US publication Box Office gave a cautiously approving review, describing the film as "nasty, violent and sexy all at once". He offers Jack £5,000 to kill the crime boss, which he flatly refuses. [59][60] The chase scene was shot in reverse, with Hodges filming Eric's death scene first because of Hendry's poor condition, Hodges being worried that he would be too out of breath to play the death scene after running. [34] Within months of agreeing the deal MGM had pulled out of the UK. Chibnall says "There was no advertising to suggest a significant event had occurred. [41], Locations along the east coast of England had been scouted by Hodges and Klinger in the spring of 1970, to find a landscape that suggested a "hard, deprived background". A woman entices a bomb expert she's involved with into destroying the mafia that killed her family. [36] He did not, however, employ a traditional noir technique of using a voiceover to expose the character's inner feelings. Hodges promised he would make it up to him and cast him in Carter, but his name was missed off some of the original prints. For other uses, see, 1971 Mike Hodges film starring Michael Caine. Get Carter marked the film debut for both Hodges and supporting actor Alun Armstrong. When the film credits were printed in the Radio Times and TV Times, Howard was also trimmed. Klinger was invited to view a first print of Peter Walker's Man of Violence (1969) and was unimpressed, telling the director "I'm going to make a gangster film, but it's going to cost a lot more than this and it's going to be better". He telephones Kinnear in the middle of a wild party, telling him he has the film and makes a deal for Kinnear to give him Eric in exchange for his silence. [64] The Human League album Dare contains a track covering the Get Carter theme, although it was only a version of the sparse leitmotif that opens and closes the film as opposed to the full-blooded jazz piece that accompanies the train journey. See here: Peter Waymark. Klinger was present on set for much of the film shoot. A Las Vegas mob enforcer travels back to his hometown to investigate his brother's mysterious death. The film's release was delayed while parts of the film were redubbed, with no great improvement. 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