For example, right now we’re in a #MeToo wave. You often address the theme of migration in your art. For people who are unfamiliar with your work, how do you describe your work? They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. This is an amazing new collection by something like 60 women working on climate change. And how do you know when it doesn’t work? This print edition honors birth and death, and how these two incidents create the cycle of all life on our planet. , where we had videos on how you can cut out your own wings. Her forms include visual art, public art, writing, cultural organizing and … Black History Quotes Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding Black History Facts Power To The People My People Malcolm X Quotes Afrique Art By Any Means Necessary Black Pride Branding A lot of times I’m doing workshops, like political poster workshops, where everyone gets to make their poster. It’s a message about what we’re against. Inflection Point 111: Gloria Steinem and Favianna Rodriguez at the Castro Theatre By Lauren Schiller • Mar 22, 2019 Photo courtesy of Gloria Steinem/modified from original I just, I’m participating in culture. Art is the language of the future, and through art we can actually create the vision of the world we want to see…To document how you’re experiencing life in a way that may not be scientific or is more about myth-making and storytelling, that to me is art. Many artists are not always thinking about timing. We have a lack of cultural centers, we have a lack of arts being taught in schools where communities of color live. Our movement, overwhelmingly pain-oriented, and a lot of the ways that we activate are not around comedy, they’re not around joy. Listen to local artists. I became curious on its true meaning and googled it. I believe all art is coming from a point of view, and we’ve grown up in a world where overwhelmingly we are seeing the world through the perspective of white men and we’re seeing their art and their gain. FR: Right. Was that a conscious decision? Human beings have always expressed themselves through two key things: They’ve attempted to understand the world through science and through art. And frankly, you could only understand that if you are watching it or if you’re engaging in it. Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as the central tool of their activism. In order for people to transition off of oil, they first have to be able to imagine what their life can be like — they have to almost unlearn some things. It’s like a very, very old practice. It was around: How do we make this image? They’ve created a narrative. To document how you’re experiencing life in a way that may not be scientific or is more about myth-making and storytelling, that to me is art. And how do you know when they are successful? SD: Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? Please LISTEN to this powerful radio story that features my camp and I at Burning Man Project. They’ve created a culture. I created an exercise with my organization, CultureStrike, where we had videos on how you can cut out your own wings. But then: How do we also facilitate its distribution and its use. And it’s also about creating something to note and to reflect your existence. Who is the Oakland artist behind Ben and…, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window), Map: PG&E power outages across Bay Area amid high winds, Oakland artist Favianna Rodriguez is the face behind Ben and Jerry’s new anti-Trump pint, Ben & Jerry’s unveils new flavor for midterm elections, What flavor is this California candidate? It is possible the name you are searching has less than five occurrences per year. She has self-identified as queer and Latina with Afro-Peruvian roots. the president of The Center for Cultural Power, a women-led nonprofit that Favianna Rodriguez, Jordan Kurland, Dhaya Lakshminarayanan and Marc Bamuthi Joseph joined KQED senior arts editor Chloe Veltman for a conversation about Art and Resistance at The Battery in San Francisco on Thursday, Apr. What I did differently and how I was able to really maximize it, is I created a symbol that explicitly connected the migration of insects to the migration of people, and that it was actually something that it was dictated by nature. Because even though it sounds easy, it’s actually not easy. Can you explain that a bit? And that it’s a highly militarized zone, and they were able to see it and experience it. For example, right now we’re in a #MeToo wave. Before heading north, Sanchez spent a year as immigration reporter at the San Diego Union-Tribune, where she covered the region's multicultural communities, social justice topics and life on the U.S. -Mexico border. And I knew it didn’t work because it wasn’t shared. First, I look at what the impact on the people who experienced the art was. One of the things I’m interested in is: how do people like you know that what you’ve done works? You facilitated using your skills in order to make it look nicer, make it more accessible to people. I’m an artist, and I know that making art is a big part of what I want to achieve. I mean art is really our imagination. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. Favianna is the co-founder of the EastSide Arts Alliance and Visual Element. And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. It's geared towards the people who program and fund the arts. You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? And I knew it didn’t work because it wasn’t shared. Because again, we’re approaching things from a different . So, that’s something that I did differently that I actually think led to the mass appeal of it, because it was a very open invitation and it was an affirmative message, it was a positive message. I’ve done tons of those workshops, and wherever I go the old ladies, the moms, the kids, they come and they’re just painting their butterflies, so immersed in it. And from that experience they have, you have faith that there will be some fruit in the future? But what matters is the idea. She lectures globally on the power of art, cultural organizing, and technology to inspire social change, and leads art workshops at schools around the country. It’s not just rational knowledge, its emotional knowledge. “This is why there have to be women of color in a creative space,” she said. We invest so much in the leadership development of grassroots organizers, we need to be supporting the leadership of artists early on, early, early on. Rodriguez designed the artwork for Ben & Jerry's new "Pecan Resist" political ice cream pint. People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. This is also why we need artists with first-hand, lived experience. A Bay Area native, she received a master's in journalism from Columbia University. But it has to speak to their emotional heart. You know, like when I do projects on factory farming and on fossil fuels, like I really try to think about: What perspectives am I sharing here? Favianna Rodriguez (born September 26, 1978) is an American artist and activist. Right, right, it goes back to that sort of emotional knowledge as opposed to just information. Favianna Rodriguez: The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. And what does art have to do with it? What is the narrative? Communications messaging is different than what we need in order to win hearts. Rodriguez designed the artwork for Ben & Jerry's new "Pecan Resist" political ice cream pint. You know, like when I do projects on factory farming and on fossil fuels, like I really try to think about: What perspectives am I sharing here? How Trump will hand off nuclear football if he won’t meet Biden, ‘The last place they want to go’: How COVID-19 is devastating East San Jose businesses, Why traffic reporters aren’t flying anymore — and why that’s not a bad thing: Roadshow. Because even though it sounds easy, it’s actually not easy. All Access Digital offer for just 99 cents! Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. So, I think in general it’s a metaphor that’s been out there. Rodriguez is known for using her art as a tool for activism. Human beings have always expressed themselves through two key things: They’ve attempted to understand the world through science and through art. And the other things is that I wanted to sort of speak from a place of being affirmative and visionary and even futuristic, or naturalistic, using nature as a way to story-tell. Climate change can be so overwhelming. So, for example, we just took a big group of artists to the border to have them see the new wall that was built. Art is the language of the future, and through art we can actually create the vision of the world we want to see. Like, what are we really talking about here? You know it’s one of my all-time favorite sort of symbols, campaigns, so on and so forth. I am an agitator and artist. Glenn Robinson #FaviannaRodriquez, #IamOther, Favianna Rodriguez, immigration, migration is beautiful Meet powerhouse artist/activist Favianna Rodriguez — a leading voice in the movement of artists raising awareness about U.S. immigration issues. That they kind of have some pride in creating it, but also that it’s a fun and memorable experience. So, at CultureStrike we believe in it so much that any time we have any kind of collaboration with an organization, we basically do a pop up studio thing. Favianna Rodriguez (favianna.com) A human hand reaches out from the side of a bird in this print, Transnational, by Favianna Rodriguez. Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as … A longtime friend of the Museum, Rodriguez is the cofounder of the EastSide Arts Alliance and Cultural Center as well as CultureStrike, a national network of socially engaged artists. The White House couldn’t immediately be reached for comment Thursday morning. I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. FR: I think that art is the language of possibility. Art is the space of ideas and myth-making and culture-making — it’s a component of social justice, that social justice will only happen when you have activation in the political space, in the cultural space, and in the economic space. It’s not just about regurgitating a message, it’s actually the activity and the action of making art and community is in itself healing. What was the quality of the interaction with the work or the experience? I'm a multidisciplinary artist and also a worker of social justice. And I think that’s a huge mistake, because cultural change precedes political change. They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. And having fun, not just attending a protest, but actually putting on a costume that is fun — migrant kids especially, because I would do butterfly making workshops with a lot of immigrant kids. Yet, the fact is there is still so much we can do to stop this crisis. Favianna leads art interventions around the United States at the intersection of art, social justice and cultural equity. What I did differently and how I was able to really maximize it, is I created a symbol that explicitly connected the migration of insects to the migration of people, and that it was actually something that it was dictated by nature. I also don’t believe art is neutral. Favianna Rodriguez: I'm a visual artist. Jun 30, 2016. We always support emerging artists. Her work and collaborative initiatives address migration, gender justice, sexual freedom and ecology. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. Favianna Rodriguez, Oakland, California. We invest so much in the leadership development of grassroots organizers, we need to be supporting the leadership of artists early on, early, early on. FR: Yes, so, to me art is about having a voice and it’s about expressing yourself, which is a fundamental right. And that’s what we do. lectures globally on the power of art, cultural organizing, and technology to inspire social change, and leads art workshops at schools around the country. Even in how were designing things, and how we’re meeting and how we’re discussing, everything is done through the modalities of artistic practice. Latino bilingual news paper serving the community in the silicon valley in the Santa Clara county I mean you’ve done a lot of successful projects right? We’re not gonna be able to be effective artists if we don’t submerge ourselves in the realities. “Migration is Beautiful” by Favianna Rodriguez. Because policy is a manifestation of culture. FR:  Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. I mean, I care about culture, I care about pop culture. So, I mean it’s not designed to move people in the same way where art I about bigger ideas, it’s about a bigger narrative, it’s not just about reacting to the current political reality. I follow the news, I follow social media, I see what people are talking about. Stephen Duncombe: I wanted to ask you about the “Migration is Beautiful” monarch butterfly. And so often our messages are about what’s politically feasible. So I’ve had projects where the timing hasn’t been right or I’m just not tapping into the moment. Her designs and projects range on a variety of different issues including globalization, immigration, feminism, patriarchy, interdependence, and genetically modified foods. you have a good project, if some of these issues are not in the news cycle it might get picked up by some random art people but it doesn’t really move in the way that it needs to move. Like: My role as an artist is to work with a movement and do this sort of work? There’s always fruit, and that’s the thing that, I trust artists. Rodriguez is a co-fo… And having fun, not just attending a protest, but actually putting on a costume that is fun — migrant kids especially, because I would do butterfly making workshops with a lot of immigrant kids. It reminded me that representation matters.”, Get Morning Report and other email newsletters. FR: Absolutely. Where are there some openings? They both run non-profit organizations/initiatives -- respectively, CultureStrike and Green for All -- that seek to provide environmental justice for communities of color. “To see people react to seeing that…it blew my mind. Here, Rodriguez discusses the power of art to open our minds. The bird represents people who “migrate to improve their lives,” Rodriguez writes, and the hand “represents the manual labor that migrants do once they reach their foreign destination.” Favianna Rodriguez is an interdisciplinary artist, cultural strategist, and social justice activist based in Oakland, California. Yes, culture is a set of behaviors and ideas and beliefs. Post was not sent - check your email addresses! Although it also sounds like in thinking about an artist’s autonomy, you also hold artists, or at least hold yourself, up to pretty high standards. And how do you know when it doesn’t work? Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as the central tool of their activism. She's based in San Jose. I love to travel and I am married to my art practice. Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? I felt like we can tackle this problem after reading this book. It was around: How do we make this image? 8.5K likes. The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. What do they notice that is different for them? Communications messaging is different than what we need in order to win hearts. Ben and Jerry want to know. And how did you know that it didn’t work? The piece is dedicated to my loving father, Gustavo Rodriguez, who passed away June 1, 2016 after a short battle with prostate cancer. Favianna Rodriguez. SD: You facilitated using your skills in order to make it look nicer, make it more accessible to people. Art is about myth-making. And I want to create the stories and the images that I long for. She is also the co-founder and president of Tumis , a bilingual design studio serving social justice organizations. I think that art is the language of possibility. Rodriguez began as a political poster designer in the 1990s in the struggle for racial justice in Oakland, California. Because sometimes we also host, it’s not just the creation of an object, it’s a show or it’s a film. President Trump has not commented on the flavor. They never seen this wall, and they realized that it’s such a fabrication. Absolutely. “I wanted it to be fantastical and attractive to youth and show people of color that they can express themselves.”, The pint shows three people of color standing shoulder-to-shoulder but facing in different directions. It’s like they’re spectators, they’re not participants. Which tells me that we actually also need to prioritize art making in our communities, because that’s also a way to heal. We want this story to go far and wide! I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. So I always have believed in the compelling nature of being able to create things that are a reflection of you, because that’s what we long for as human beings. They’ve created a culture. We always support emerging artists. I think that art is the language of possibility. Yes, so, to me art is about having a voice and it’s about expressing yourself, which is a fundamental right. There is art, poetry, inspiring stories. It’s important that we create objects that people can attach themselves to. And what I find is that doing something that reflects their values or their lived experience. I mean, we have to understand the issues. So I’ve had projects where the timing hasn’t been right or I’m just not tapping into the moment. What was the quality of the interaction with the work or the experience? They’ve created a narrative. And then I created merchandise with it, and I created things that people could put up in their living rooms, t-shirts, earrings, because I also think that so often a lot of things just live online, but I do think that people really want to show their values. Throughout the development of her art piece, she set out to research food culture in the community she grew up in. Listen to local artists. Rodriguez, a life-long artist who travels the world as an organizer, said she’s been “at the front line of social movements,” creating artwork around abortion, climate change, immigrants rights and other topics. They both came up through the grassroots activism scene of the Bay Area in the late 1990s. In order to shift that, people need to see it — they actually need to see it. Art is about myth-making. And then I created merchandise with it, and I created things that people could put up in their living rooms, t-shirts, earrings, because I also think that so often a lot of things just live online, but I do think that people really want to show their values. Sorry, your blog cannot share posts by email. So, I did that because I feel that our movement does not do that well. And please share it with other Burners. So, because there a lot of times the butterfly had been used like an add-on element to a message that would either be “stop deportation” or “migrants are human beings” or “migrant rights are human rights.” Still framing it through the lens of human rights or criminalization. Whether it’s people writing on the walls or the invention of the printing press, the desire to distribute knowledge and a point of view has . But then: How do we also facilitate its distribution and its use. I mean, I care about culture, I care about pop culture. But a lot of times, the fossil fuel industry has told us that we need oil, oil is a sign of progress. Ben & Jerry’s unveils new flavor for midterm elections They need to feel it. Pecan Resist, a play on “We can Resist,” is a chocolate ice cream with white and dark fudge chunks, pecans, walnuts and fudge-covered almonds. Artist Favianna Rodriguez and political commentator Van Jones have a lot in common. The Vermont based ice cream maker has rebranded one of its flavors as “Pecan Resist,” with a featured design on the pint created by California-based activist and artist Favianna Rodriguez. How unique is the name Favianna? So, I do believe that as artists we do need autonomy to do our wild crazy ideas. Favianna Rodriguez is an interdisciplinary artist, cultural strategist, and activist based in Oakland, California. Ben and Jerry want to know SD: You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? Oakland artist Favianna Rodriguez is ... - The Mercury News Favianna leads art interventions around the United States at the intersection of art, justice and cultural equity. And it’s also about creating something to note and to reflect your existence. What flavor is this California candidate? Artist, cultural organizer, and social justice activist Favianna Rodriguez will provide a keynote address at the WSU Pullman campus on Tuesday, March 31. I created an exercise with my organization. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? So, by the time some of these artists are ready to engage they have a solid foundation of an understanding of the issues, but they also have the ability not to just regurgitate movement messaging. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? I just, I’m participating in culture. Once you learn the sort of ebbs and flows of it, it allows you to go it at the right time, and to actually ride that wave. FR: Yes, I have had a project that didn’t work. And those beliefs first have to change before someone is willing to vote on it. (Photo: Jim Ratcliffe) Arts & Culture. She got her start in journalism in the California desert, where she covered the marginalized immigrant communities of the eastern Coachella Valley. In 2017, Sanchez was part of a team of East Bay Times reporters awarded the Pulitzer Prize for breaking news coverage of the Ghost Ship fire in Oakland. Jun 5, 2019 - Favianna Rodriguez is an interdisciplinary contemporary artist, cultural strategist, and social justice activist on a mission to create profound and lasting social change in the world. 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